Meditation and the Muse
July 29, 2009

Recently a friend sent me a photo of a crystal skull. It was beautiful beyond words and inspired me to use it in meditation. Here’s how I do it:
I imagine my skull is crystal and my spine as well. As I bring light into my body through the top of my head, it hits the crystal skull, travels down my crystal spine and stops at its base. The light then radiates through my being, moving without effort into the world. This puts me in a clear, reception place for writing, the events of the day, speaking what I want to attract and elevating my consciousness.
Give it a try; I think you’ll be pleased.
The Muse lives just out of sight. I write for her, not knowing which ‘her’ I mean. The Greeks say there are nine sisters, all daughters of Zeus and Mnemosyne, who exist to see beauty created in the world. If I sit down day after day and do my work a mysterious process is set in motion which enlists their help and reinforces purpose.
Another reality does exist, just out of view, where genius sleeps and treasures wait to be downloaded by dedication and effort. The work we do each day makes our presence known in that unseen place. It allows the muse to become acquainted with our spirit and ultimately to relinquish her gifts. Ask any artist or healer. The real ones, the good ones are humble, because they understand that the information comes through them, and is not born of them. So, don’t be afraid to start your day or any creative project with a request. Fire up your crystal skull, radiate light and make yourself found.
The Little Ones
May 27, 2009
There are those who are meant to work with children and those who are not. Unfortunately, I am in the ‘not’ category.
My daughter, Kristen, has a child on her lap, longing to be adopted seconds after being introduced. She is the pied piper of little ones; they trail after her like baby ducks, because she sees into their soul and shows them their beauty.
Amy is a slender woman with a long braid trailing down her back. She is in my writing group and teaches kindergarten in a Japanese immersion school. She comes to our group with stories of glue sticks, muddy boots, carp kites and little raincoats. There is a tender intimacy in the broadness of her love.
My sister, Kristen, took her skills from the performing arts and shuttled them into a school library in upstate New York. She makes stories come alive with music, character voices and puppetry. The children think she lives in the library closet and owns every book. They have no idea how lucky they are. Her spirit is gentle, reverent and embracing.
I was not blessed with that gift. My need for quiet and aversion to chaos has limited my desire. But, before I knew that, I applied for and received two grants to work with children as an artist in residence. The first grant came from the city of Portland.
On my first day at school I met a little girl in the hallway and decided to get acquainted.
Hello Sweetheart, I said, how are you today?
She stopped walking, looked up at me, and kicked me as hard as she could.
I hate you, she said and walked away. That was pretty much how it went.
I got busy creating a theater piece on the stage. I expected the kids I was not working with to be still and watch, instead they began opening the windows and crawling out. I had no idea how to stop them. There were too many of them and I was stunned. I had to request help from one of the teachers. When I went to school in Vermont, students sat quietly, never moved an inch. It was formal; the boys wore shirts and ties, the young women wore dresses. This was very different.
The next grant was at the Waverly Home for Emotionally Disturbed Boys.
I know, I’m a slow learner, but reasoned it would be better since the children came with room counselors who were obviously trained to keep order. I’d brought large vats of paint in white plastic buckets and lined them along the edge of folding tables for days of creativity and puppet building.
Turns out it was not a painting day for Darren, who was one of the last to arrive, so he picked up a paint bucket and sent bright hues of liquid purple into the air, which landed on the walls, windows, across my favorite skirt and over my apron. That was a moment of significant insight for me.
In that moment, I knew with complete certainty that my place in the world was working with grown-ups. I wanted quiet people, people who did not climb out of windows while we were working together, people who did not leave my clothes dripping with purple paint, or kick me in the leg when they were having a bad day, and you know what? I’ve never really changed my mind.
Skill set
May 5, 2009
Gib left this morning to play tennis, while I did the dishes. I was thinking it was kind of a lame trade-off, since he was getting fit and healthy, while I was getting tired and splashing soapsuds on my apron. I wanted him to stay home today and help me design another audio book cover. I already have the ideas; he would just be the middle man between my imagination and reality. He was supportive and interested, but in the end, out the door he went, smack dab into the middle of his own obligations.
I hate having to rely on other people to do what I can’t do, but part of my sanity has come from admitting that there is a whole lot I can’t master and never will.
My friend, Anthony taught me a phrase I can use whenever my eyes start to glaze over and feelings of inadequacy knock on the door. He taught me to say, that’s not my skill set. I love saying that! It gives me great permission to be who I am without beating myself up. Unfortunately, I seem to have part of me that believes I should be capable of all things.
You need a little brain surgery? Sit down.
Want help with a calculus problem? Bring it over.
Pile on the contracts with the fine print and the twenty minute on-hold calls to the insurance company. I’m your girl.
Well, not really. The truth is I’m exceptionally good at what I can do and rather hopeless with the rest. It’s the real-world left-brain stuff I struggle with. That’s why it’s so hard when I have a new creative idea and the stand in for my left brain walks out the door to play tennis.
Today is an easy day. My schedule is light. I find myself wanting to write something good, something that will provoke conversation, a good laugh or a shift in consciousness, but none of that is coming, because mainly I just want to lie down and take a long guilt-free nap.
Writing Memoir
February 26, 2009
Do you promise to tell the truth, the whole truth and nothing but the truth, so help you God?
This is what happens each time I sit to write. I ask myself to look at life straight, without skipping over the shadow places, or pretending I don’t hear what I hear, or see what I see.
I ask my courage to dive deep into dark waters with eyes wide open when my tendency is to turn away, protect or avoid. Warning lights flash in my belly. Sometimes it’s hard to breathe. I tell myself it’s not too late to turn back. But I go there, because if I am successful, I won’t have to live above the swamp. I can drain it, release the power of the underworld and add sunshine.
To look again at what was, is to open my memory to sights and sounds and smells I have masterfully put aside. My mind tells me to cut off the past like a dead limb, because there is simply no point, no useful purpose. Look ahead, it tells me. Plan the future. My mind tries to be nice to me, to do me a favor and keep me out of trouble. I appreciate it, but I can’t move forward as long as there is unfinished business.
I pride myself on having created, against all odds, a body of water that is clear and calm. Why would I stir it up with memories of the past? Not just stir it up, but keep my eyes wide open. My mind directs me to sunny beaches in Mexico, while my emotions direct me to the business of truth telling.
I reach for Hershey’s kisses. Little pieces of chocolate wrapped in shiny golden paper with an almond hidden within. I’m allergic to chocolate, but the almond eases the guilt. If I listen to the language of the heart, it’s telling me that I need some kisses, whether or not I can digest them, and not only do I need them, I need them now. Not after the next paragraph. Kisses can’t wait.
Writing memoir brings up issues of privacy and loyalty. Do I want others to know my history? Will I lose power or gain it by revealing myself? The past is not the present. Is it fair to portray what was frozen in my personal archives? Surely, everyone experienced our time together differently. Each person is a country in and of themselves. Is it fair in revealing my memories to expose, accurately or inaccurately, the personal landscape of others? Will I be seen as an alien invader? Most certainly, I will. I intend to see with honest eyes, but whose version of the truth is revealed? I commit to write, and ask for forgiveness if my version of the truth offends those living or those already in the spirit world. Sometimes I hesitate to recall memories for fear it would pull on the spirit of another in a negative way, when what is called for is forgiveness. All these things are considered and felt when we open the door to deep diving.
Back to me
May 18, 2008

We were hiking to the top of a long steep forest trail when my husband stopped by a stream, got down on one knee and asked me to marry him.
What?
Now?
Like this, sweaty and out of breath in the middle of the woods?
Ask me again on the way down, I have to get used to the idea.
He did and I said yes, then he pulled the biggest diamond ring I’d ever seen from his jacket and gave it to me. My heart sank. Oh honey, I’m just not that kind of girl. What am I going to do with something like that? We settled on matching silver bands with a Celtic weave.
Our first Valentines Day he gave me a box that had real gold ear-rings shimmering against purple velvet. Oh my, I thought, he is going to have ‘Ingrate’ inscribed on my tombstone. Take these back to the store, dear, and buy yourself a pint for your trouble. I’m just not that kind of girl.
I don’t want gold and diamonds. If you want to give me gifts of enduring affection, buy software and learn to use it. What turns me on is having a business partner, someone who can bring my artistic visions into reality, someone who believes in me and can remain steadfast when I lose faith in myself.
The engineer in him rose to the occasion, learned to do sound editing, film clips and placement of art work; the husband in him became the business partner I always wanted. But paradise was short lived when his cousin died and left a pallet company to be managed, and when the high school needed a tennis coach who would labor afternoons and evenings as an act of love.
I found other people to help me so my work continued, but the whole affair left me grumpy and disappointed. Now tennis season is winding down. There is talk of giving the pallet company to his kids and I can see a light at the end of the tunnel. We can imagine more time for us, more travel, adventure and creative projects.
Last week-end his schedule lifted and he came back to me. We spent hours editing, designing and creating, then topped it off with a hike in The Gorge. I’m telling you, having my husband as a creative partner brings me closer than diamonds and hot sex ever could. Well, maybe not the hot sex part.