Feed Yourself Beauty
February 21, 2009
Robin was a fellow performer from Storefront Theater who taught me to use a loom. Her weavings, like many of her paintings, looked like she had reached into the sunrise and convinced every shimmering hue to come to life through her hands. Threads sparkled, wools blended, and fuzzy threads adhered to make a radiant representation. Anyone fortunate enough to own one of her winter scarves could plan on being stopped several times on the street, so strangers could touch and admire her work. There has never been an artist who could touch my heart and sense of wonder the way Robin could.
When I first started lessons, I wanted to purchase inexpensive threads because I was a beginner. I reasoned that no one, including myself, would want my products for some time, so why waste money? But Robin stopped me immediately. No, she counseled, buy yourself the most beautiful threads you can find, no matter the cost, because part of weaving is nurturing your senses with what you see and what you touch. Feed yourself beauty. You will handle each thread several times, beginning with the warping board, then while dressing the loom, and finally passing the shuttle back and forth to completion. Everything you feel and think goes into your work. Your products radiate your touch and energy, so it’s important to understand the unique power of each weaving.
A friend knew of a loom stored in a studio space. After several phone calls the owner agreed to let me use it. I had a studio and loom without cost. I’d tune in Oregon Public Radio and fill the space, and my spirit with classical music. It was an uplifting time with Mozart drifting back and forth among the fibers, gently encouraging both inner peace and inspiration.
Weaving was one of the few places that invited my voice into song. I was comforted by sitting alone and filling the space with the years of music I’d learned but rarely sang. It was in one of these precious moods that I reached inside my apron and opened the letter I’d stuffed in my pocket, as I ran from the house in the morning. It was from my mother. She had enclosed an article about brain tumors and strongly suggested that I have a physician look at me. It would explain your behavior, she wrote. You’ve never been quite right.
I was on the verge of tears for a week from the innocence and malevolence of such a letter. My weaving was full of sorrow for days. I couldn’t look at it when I cut it from the loom, and didn’t feel it was fair to place such energy in someone else’s hands, so I walked outside and placed it in the garbage.
Although never approaching the majesty of Robin’s work, my skill became marketable. I fashioned purses, scarves, table runners and wall hangings. Robin had a tailor’s skill, so her fibers became jackets and dresses displayed in Portland and Seattle galleries. I used my weavings to trade for health care and fire wood.
I took an expensive class at the Oregon School of Arts and Crafts, but never finished. The faculty made weaving business-like and mathematical. I realized that if I had begun with formal instruction, instead of Robin’s loving hand, I would have never become a weaver. I could not follow directions. I could create a free flowing design in my head, but following a pattern laid out on graph paper in tiny blue colored boxes was hopeless.
I stopped weaving when my allergy to wool became unbearable. Tiny flecks of fibers floated in the air whenever I worked, and wearing a mask felt wrong. I changed to cottons threads, but felt too limited. It was a sad day when I sold the loom I had finally managed to buy, but Robin’s lessons remained. Feed yourself beauty at any cost.
Boarding School
February 12, 2009
The air was crisp and the trees wore the bold colors of autumn’s tapestry as mother and I drove to St Johnsbury,Vermont. I felt adventuresome, and excited to go to boarding school. It wasn’t until we went to bed that night that the reality of it hit me. I had been delighting in her company without fully realizing that the next day she would get in her car and drive away. I had felt deprived of her before, but now I felt abandoned and panicked.
She lay sleeping, her face turned from view. I studied the way her hair fell against the pillow and the gentle rhythm of her breath. Her nightgown of silken pink with satin borders invited touch, but I resisted. I was afraid to wake her, afraid to betray my intense desire for her comfort. I was her problem child, the difficult one. Everything about me took extra time and energy. She gave what little time she had, but I always hungered for more.
As I stared into nothingness, I fantasized that she would rise in all of her feminine splendor, lean over me, place her warm lips against my hair and whisper, Sweetheart, I’ve made a mistake. I could never leave you here. I love you far too much to be away from you. Let’s work this out differently because I simply can not bear having you gone. I pulled my thoughts back. That was not going to happen. I needed to be strong.
I met my housemother in the morning, Hazel Simpson. She was entombed in a closet-sized room near the front door. Welcome to Brantview, she said, attaching herself to my mother. We’re all looking forward to having your daughter with us, and what a lovely girl she is. My mother looked down at me and smiled, while Mrs Simpson squeezed my face between her thumb and chunky middle finger. We’re getting such good quality girls these days. Look at this one. She has the face of an angel. For years we had such troubled children, now that’s all turning around. She released my face and went back to exchange pleasantries, assurances and goodbyes with my mother. I said my own farewell amidst promises to write .
My room was on the third floor of the Brantview mansion. Mr. Fairview had been a prominent figure in the community, when he died his home became the academy’s dormitory for girls. The boys were not so lucky. Their building was cheap and small, sat on the edge of a traffic lane and was badly in need of repair. The Brantview mansion, by contrast had long rambling walkways, a tree lined drive, and an archery course. The building had turrets, balconies, winding cherry stairwells, stone fireplaces, two pianos, coves for retreat and perches with views of the town. The front doors were arched, grand and windowed with stained glass.
I met my room-mate tucked in a corner of the balcony, sitting in the sun hugging her knees. She was shorter than I, had long chestnut hair and a German heritage that showed in the structure of her face. I’ve already taken half the closet and chosen this bed, she said. You can have the other one. Her bed faced the window, while mine faced the wall. I picked up my suitcase and headed for the closet. To my surprise, it was large enough to be another bedroom, and overflowed with the most fashionable and expensive clothes I’d ever seen. A second wall was lined with shoes in rich shades of polished leather, while half-opened drawers revealed boxes of feminine finery. I drew back from the sight of it. Such opulent beauty. I’d never seen such finely crafted garments. I didn’t know they existed.
Nice things, I said.
Thanks.
Just thanks. That was it, like it was all nothing. I decided to unpack later.
I stretched across the bed and began reading the house rules:
No riding in cars. No boys in the girl’s dormitory beyond the front steps. Week-days the bell will sound at 6:15 AM. You must have your bed made, room clean and leave for the dining hall by 7 . You must always sign in and out indicating your exact location. Women must wear dresses at all times. Men require a jacket and tie. After school there is an hour of free time before going to the academy for supervised study. Lights out at 9:30. Rounds will be made by the housemother. Non-compliance will result in demerits. Accumulated demerits will result in loss of free time, or denied week-end activities. Week-ends can be spent away from school on special occasions only with written parental consent. The list went on.
To my surprise, the routine and structure of the academy were just what the doctor ordered, and the fresh air was good for my health. I marched through my days like a fine little solider, counting myself lucky. There was no way to do badly in school. Each evening we went back to study hall to complete our homework, if we didn’t understand something a teacher was there to explain it. My isolation and illness seemed far behind and I found myself embracing life for the first time.
Respect
January 18, 2009
My mother, Verse, is 93. She came to Oregon to visit for the last time when she was 88. I remember pushing her to the counter of the airlines ticket desk in a wheel-chair, while she dug in her oversized purse to find her passport. She was always smiling and eager to visit. She loved telling the adventure stories that lived behind each passport stamp gathered from around the world.
My mother is an amazing woman, so bright she skipped two grades in high school, graduating at age fifteen. She was academically gifted, but suffered from a painful childhood. As a girl, her mother explained that there was no such thing as love, and demonstrated by abandoning her in every way possible. She learned love from her father, but he left both the marriage and his daughter at an early age.
She sang in a big band before she met my dad, then left to manage a successful restaurant and motel. No, she did not manage it; she owned, lived and breathed it every moment of our growing up years, putting her dreams of studying law or medicine aside. My mother gave birth to three girls and two boys. All, without exception, worked in the restaurant below. It was a thriving business full of constant coming and going. It was the place to watch the World Series on the small screen television angled above the bar. It was a businessman’s lunch table, and the destination for every club and civic organization in town. The restaurant had the elegance to house wedding receptions and the warmth to invite family diners to return on a weekly basis. The travel-weary were given a warm welcome and the factory crowd brought their brotherhood to the bar. The romantic played the jukebox and danced, while teens drank cherry cokes and competed on the bowling machine.
I was her middle child, with a sister and brother older, and a sister and brother younger. I worked in the restaurant for years before going off to a Vermont Boarding School. During that time, I watched my mother make sure the meats being delivered were of the highest quality, the breads taken to the table were freshly baked, and the portions were plentiful and appealing. After a long day of work, she and I would sit at a small out-of-the-way table, her tiny shoes trailing built-up oven grease from the kitchen floor, her hands clutching volumes of receipts to be counted, her face drained of vitality and charm.
I don’t want this life for you, she would tell me. Go away from this place. Be more than this.
When she was finally freed of obligation to family, business, marriage and striving, she found her wings and began to explore. At eighty years of age, her gypsy blood bubbled to the surface. With nothing to lose she decided to give herself as many adventures as possible. She tore across raging water on a jet ski in California, rode camels in Egypt, visited the Great Wall of China, flew across Antarctica, soared in a hot air balloon, took a safari in Africa, floated the Amazon river, and was the oldest woman ever to go hand gliding in New Zealand. When we crossed the British channel, she was in the ballroom dancing in her new prom dress, while I stayed below, blue in the face from motion sickness. I think your mother is stronger than you are, the maid volunteered.
She waits in the airport wheelchair, beautifully dressed, her attitude full of determination and intention, but the clerk will not look at her. She addresses me instead. My mother does not exist for her. She is just an old woman to be patronized and called, Honey and Sweetie. Her passport is handed back quickly without a glance in her direction, its wealth of stories left untold. I watch my mother’s face fall as her existence is publically diminished.
The Clasp
October 17, 2008
I never had the money my sisters had. I never chose a sensible career path or sheltered in the safety of a solid relationship. I rode the crest of a wave ~ crashing, picking myself up and getting on again. My path has been bruised and alert, never fitting the mold. The Goodwill was my Neiman Marcus, junkers my transport.
I am not a gift giver or anyone who appreciates material things. They get in my way, need tending, replacing and are cumbersome to manage from the crest of a wave. But my mother loves things that sparkle, and grace her neck and ears with beauty. She belongs in the scene of a British movie, where the husband tiptoes behind her, gently kissing her cheek as she sits at her vanity. His starched white cuff is all that shows on screen, as he flips open a velvet hinged case to release diamonds which drip from her neck and cascade from each ear. That is my mothers role. She is the feminine bird fixing her hair and fluffing her ruffles for an evening of elegance and polish.
I know this about her. I want to please, to care for her, to fill in her empty places and so I shop. I shop without knowledge, money or experience. I shop for the child in her who delights at surprise.
I always buy jewelry because she can’t have enough.
I imagine she will wear my gifts for a few years, feeling my love as she fastens the clasp across her wrist, around her neck or over each lobe. What I did not account for, is that she would keep my gifts year after year, attached to each one more completely than we bonded as mother and daughter.
How shocked I was to see the gifts from my days in poverty still owned and worn, the price I paid betraying itself in the green tinge on her finger or the dull marks on her neck.
Oh mother dear, forgive me. That was the best I could do, when you deserved so much more.
written 10-16-08
The Purse
October 17, 2008
My mother is a tiny woman, fragile and small. She loves fashion and style. She loves fishing but never without lipstick, jewelry and attractive attire. My mother is an expression of opposites.
This small woman who weighs less than 100 pounds, still carries a purse that weighs 62. She has always carried this albatross like an anchor, holding her little body firmly fixed in time.
Grown men, large strong men, longshoremen-kind of men have complained about the weight of her purse, but she will not be without it; she won’t trim it down.
Her purses are custom made of imported leathers and have several zipper compartments in which you might find nail clippers, a screw driver, address book, make-up, wallet, checkbooks, hair combs, hand lotion, dental floss, car keys, extra car keys, silver hair clips, fishing line, department store receipts, pens, pencils, cell phone, stamps, calculator, paperclips, needles with thread, toothbrush and perfumes. If she is headed out for the evening, you can add white gloves and jewelry. This is only the surface, the part I might recognize from a glance.
I have offered to carry her albatross over the years, especially during periods of frail health, but tire after a few short blocks.
Mom, you can’t continue doing this. You have to carry less. Surely, you don’t need all this stuff!
She smiles and takes the bag from my arms. It’s okay honey, I’ll carry it now, I’m used to it. She shoulders her leather anchor, moving forward with ease.
At the end of her medical appointment, the doctor picks up her purse, loses his balance and stumbles from the weight. Verse, what have you got in this thing? For heaven sake! She pays him no mind, slips it over her shoulder and walks out.
I suppose we will bury her with that purse. I can’t imagine her doing without it.
written 10-16-08
Death Visits
October 12, 2008
Death is around my mother now like an energetic cocoon waiting to merge with her physical body and dissolve its solidity into an expansive freedom.
It doesn’t stand by the door the way it does during childbirth. It is more a curious observer there, wondering if mother or child will pass beyond the edge of reality and need a companion to guide their spirit home. No, it is not that kind of death that awaits my mother. That kind of death comes for an otherwise healthy body. Its occasion is sudden, accidental or unexpected.
The death that waits for my mother is slow and subtle. Each day it sucks away minuscule amounts of desire, until her once-active body can no longer will itself to turn the pages of the latest mystery novel arriving in the mail.
The slender hands that once fashioned silky strands of childrens hair into intricate french braids, now struggles to hold a comb or press the spring that fastens her silver hair clip.
The morning reunions she enjoyed with friends at her favorite breakfast café, have been replaced with bottles of painkiller and a glimpse at the newspaper before returning to bed.
This was the woman who danced, sang heart-felt blues at the upright piano and raced around the globe in search of adventure and inspiration. She has no desire to die. Her grasp on life has always been full and present, holding as much of it in each hand as she could manage.
But now she swallows anti-depressants so she can stomach her reality, the reality of having life’s brilliant dance move farther and farther from her feet. I am not living. I am only existing, she admitted with sadness and resignation. My mother does not believe in complaining, finding fault or dwelling on the negative. She has never referred to herself as old, and continued wearing prom dresses into her eighties.
Death has not claimed her yet, but has moved close enough to examine her breath, weaken her heart and shrivel her body. Her mouth is flung wide in sleep, her breathing open and labored. I know she is fighting. She is thumbing her nose at death and saying, You will not close my mouth or steal my connection to life. Witness the strength of my breathing. Witness the power of my will.
But death does not come at her like a warrior or an avalanche. Death is patient and quiet. Death has time and the confidence that comes from assured victory. It moves slowly, taking back a tablespoon of vitality here, a cup of life force there. It has already stolen the radiance from her smile and precious memories from her heart.
Can she hear death whispering? It is coming closer every day. It’s okay to sleep, death assures her. Let your bed comfort you now. The world is too fast and too noisy. Enjoy the softness of your sheets, the twilight haven of your room. Feel your chest move up and down. There is nothing else that’s important. Just watch your breath move in and out. Begin to surrender. Begin to think about letting go. I have you. As soon as you’re ready, I have you. There is nothing to fear.
One day soon my mother will free herself, like a ship coming untethered from the shore, and we will have her no more.
written 9.25.2008
The Hospital Room
October 11, 2008
White coats and surgical coverings, sharp shining silver tools designed to invade, ether masks filled with gagging head splitting recovery. Alone, alone, alone, in dimly lit rooms where I wake full of pain, and half conscious awareness. Wheeled to other sterile rooms with metal beds lined up in rows. Jokes from a waitress who visits to explain that my mother is too busy to come. Are those pork chops you’re having for dinner, she asks, looking at the tube of liquid dripping into my arm. I smile feeling some responsibility to both appreciate and amuse her.
Later my mother comes with new pajamas, little rose buds living in creamy soft flannel. She smells like fresh air. The outside world clings to her clothes, the scent of the day lingers in her midnight hair. I want to eat her up, whole. I want to take her inside me to satisfy an unspeakable appetite. She tells me about the restaurant while painting her lips in fire engine red. I want to grab those lips, ask her to swallow me. I want to live within her body. Take me home, I want to scream. Take me to another place, eat me alive, but don’t leave me here.
Visiting hours are short, her schedule is full. I am one of the lucky 5. I am sick, so I get to see her. I have her undivided attention for about half an hour. New pajamas and the memory of sunlight playing on her ear-rings stay with me long after she closes the door. Now it’s me and nothingness. Tomorrow the janitor will mop my room. I like him. He comes everyday. The floors are not dirty. I don’t know why he comes. He has bags tied balloon-like over his shoes, as he mops clean over clean.
written 3-11-08

